Make sure to do this slowly enough for the unique sound-feeling of each Solfege Syllable to make a meaningful impression on your mind’s ear. Reading, playing, and singing the Solfege Syllables out loud is an extremely effective way to tune up your ears and to internalize the unique sound-feeling of each note in the scale with respect to the key center Do. When going down the Melodic Minor Scale, b7( Te) and b6( Le) are the exact same notes used in the Natural Minor Scale! ![]() When going up the Melodic Minor Scale, 6( La) and 7( Ti) are the exact same notes used in the Major Scale! It is called that because in some musical contexts, the melodic line sounds better when you play Laand Tigoing up and Le and Te going down. The melodic minor scale is no more “melodic” than other minor scales. The only thing that changes when you change keys are the letter names.The Solfege syllables of the Melodic Minor Scale are always Do-Re-Me-Fa-So-La-Ti-Do ascending and Do-Te-Le-So- Fa-Me-Re-Do descending, no matter what key you are in.The scale structure of the Melodic Minor Scale is always 1-2-b3-4-5-6-7 ascending and 1-b7-b6-5-4-b3-2-1 descending, no matter what key you are in. In classical music theory, the Melodic Minor has a very unusual property, not found in any other scale type.In jazz music theory, and when working out the related chords, this descending form of the Melodic Minor scale is ignored, and it is treated like any other scale, using the intervals listed above. There is great ambiguity between the notes F/F# and G/G#, which can be more or less freely substituted for each other. One of the best examples is the folk tune Greensleeves, shown below in the key of A Melodic Minor. This may strike you as strange (and it is!) but the resulting sound does seem to work in practice. However for descending notes, the intervals of the Natural Minor scale are used instead. The intervals as shown above are used when the scale (or a melody made from it) is ascending. The Melodic Minor Scale differs from the Natural Minor Scale by the sixth and seventh notes, which are raised one semi-step. In classical music theory, the Melodic Minor has a very unusual property, not found in any other scale type. The only difference is whether the third note makes a minor or major interval. The Melodic Minor scale is also similar to the Major scale (although still with a distinctly different pattern of intervals). Bass Clef Treble Clef Keys CCDbDEbEEFbFFGbGGAbAABbBBCb 4. The C melodic minor scalecontains the same note pitches, is easier to work with, and is a direct replacement. You may also use it for modal jazz improvisation and since it belongs to the. D-flat melodic minor scale Warning: The D-flat key is a theoreticalminor scale key. The Melodic Minor 11 scale can be used to compose melancholic ethnic music. The Harmonic and Melodic Minor scales are similar, except the Melodic Minor contains a natural sixth instead of the flat sixth of the Harmonic Minor. The D-flat melodic minor scale has 6 flats. For melodies, this large step can be awkward, so another minor scale - the Melodic Minor - evolved as an alternative. ![]() The distinctive sound of the Harmonic Minor comes from the three semitone interval between the sixth and seventh notes. We have seen two minor scales so far - the Natural Minor, which is a mode of the Major scale, and the Harmonic Minor, which has a distinctly different pattern of intervals. While there are three minor scales, minor keys and minor key signatures are always identified as simply minor (A minor, D minor, etc.
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